tag:blogger.com,1999:blog-56294740504126327992024-03-13T12:08:13.383+01:00Medieval Gloves etc.Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.comBlogger15125tag:blogger.com,1999:blog-5629474050412632799.post-43317297809748843512007-11-28T08:12:00.000+01:002008-12-11T13:51:13.354+01:00Three pairs of glovesI've being pretty busy gloving the last days and finished three pairs of gloves. <div>First pair is a pair of three fingered mittens - working gloves. These mittens were pretty common in 13./ 14. th century.</div><div>The material is sheep leather, sewn with linen thread.<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlZVaFte5rqrCjJDPsanvTKAzEIQYAaGXTZrG7-sQljD6dq_04Q6B8wMje37qtwQfhAEcGvmm4a6LvZjl2yHt_QOKAh7gPdo2i_-OoPGsaugeXhhYVWR7jzcMsyfORPKkhyphenhyphenl_cAlUaneSI/s1600-h/Arbeitshandschuhe_three+fingered+mittens.jpg"><img id="BLOGGER_PHOTO_ID_5137786327315586882" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlZVaFte5rqrCjJDPsanvTKAzEIQYAaGXTZrG7-sQljD6dq_04Q6B8wMje37qtwQfhAEcGvmm4a6LvZjl2yHt_QOKAh7gPdo2i_-OoPGsaugeXhhYVWR7jzcMsyfORPKkhyphenhyphenl_cAlUaneSI/s320/Arbeitshandschuhe_three+fingered+mittens.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeN1dBNMdFM4JeZZ1FQ3ZtBYPjpQO29g6_wk_8z1T0bH5MCI3A-fD4DD-vaPtNI6-C2OWwbPwa9BQ5-tnRF2rHi_Z9G_asXyJo7EJNSEWvcqFUE-yKzHsaiJIojr4Eu2N85kmroxvlHnqD/s1600-h/Lutrell-06.jpg"><img id="BLOGGER_PHOTO_ID_5137786769697218418" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeN1dBNMdFM4JeZZ1FQ3ZtBYPjpQO29g6_wk_8z1T0bH5MCI3A-fD4DD-vaPtNI6-C2OWwbPwa9BQ5-tnRF2rHi_Z9G_asXyJo7EJNSEWvcqFUE-yKzHsaiJIojr4Eu2N85kmroxvlHnqD/s320/Lutrell-06.jpg" border="0" /></a></div><div>The Luttrell Psalter, c. 1320-1340 </div><div> </div><div></div><div>Next is a pair of gloves is a pair of "falconry" gloves - gloves like these are seen in the illuminations of the 13th and 14th century, worn by noble men and women. </div><div>I used very fine goat leather, sewn with linen thread. The tassel is made of silk thread.</div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitjvTPntnxJGrK2J-sXYPbOL_LUnyPTLVnT8_D0Hwj6sf3h6aOrM-siSY84SIefSSz7VWDmv36PC63_bizenMp1zt7jkNo0YYQX9RO7Fw2lmZB4Bscrb5hFEtDuu3vh1EkMtQ3zoHs1p7M/s1600-h/Manesse.jpg"><img id="BLOGGER_PHOTO_ID_5137786928611008386" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitjvTPntnxJGrK2J-sXYPbOL_LUnyPTLVnT8_D0Hwj6sf3h6aOrM-siSY84SIefSSz7VWDmv36PC63_bizenMp1zt7jkNo0YYQX9RO7Fw2lmZB4Bscrb5hFEtDuu3vh1EkMtQ3zoHs1p7M/s320/Manesse.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs1aAjVwZ-LHHDtV86WDi76Awk7xiabQfB8PAqSBUf9CXIN6uuHk73cOxHlhQ3-9zJskzUS16zDzNFizs87wHisAuWmD1YV7fftjWjLi-oH9ILqZzfDSH_bL3NkMN00asbZENMitl7d7sc/s1600-h/Holkham+Bible.jpg"><img id="BLOGGER_PHOTO_ID_5137786610783428450" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs1aAjVwZ-LHHDtV86WDi76Awk7xiabQfB8PAqSBUf9CXIN6uuHk73cOxHlhQ3-9zJskzUS16zDzNFizs87wHisAuWmD1YV7fftjWjLi-oH9ILqZzfDSH_bL3NkMN00asbZENMitl7d7sc/s320/Holkham+Bible.jpg" border="0" /></a><br />Taymouth Hours: Lady with falcon, (British Library, Yates Thompson 13, fol. 74), c. 1325-1335 </div><div><br />The last pair of gloves were very common in Italy during the end of the 15th, beginning of 16th century. The gloves have very short, folded back cuffs to allow elaborate sleeves.</div><div>Materials for these gloves were black and brown goat leather and linen thread.<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD_yYO4aK2f3p8kzwik3CwXzKOxVk7fVbVtozXpofUwI1xwbsrAhuHPUfZzGnIzSBYKv6o3qpDNLJQqoIrzcLQMrPHB9oXpq8TLIkJjyKIdlBvTF3-cZV-9DoZvkWLbuFvF1C-sxxU1PkX/s1600-h/Italienisch.jpg"><img id="BLOGGER_PHOTO_ID_5137786520589115218" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhD_yYO4aK2f3p8kzwik3CwXzKOxVk7fVbVtozXpofUwI1xwbsrAhuHPUfZzGnIzSBYKv6o3qpDNLJQqoIrzcLQMrPHB9oXpq8TLIkJjyKIdlBvTF3-cZV-9DoZvkWLbuFvF1C-sxxU1PkX/s320/Italienisch.jpg" border="0" /></a><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKZ9jXNgasjc2PIBgLg19_0YPk5VenOGJeYgzKXtSaCZ8aj0rXrZBnsINsOwxr7s9Fs2LQxb0OXCEfS7JMK3j2VTnZieWW3v1TmJp52wAfuFp0_-I3DOuoTYsqeXO2s5eq8u9PpAiG5-4L/s1600-h/2floren33.jpg"><img id="BLOGGER_PHOTO_ID_5137787083229831058" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKZ9jXNgasjc2PIBgLg19_0YPk5VenOGJeYgzKXtSaCZ8aj0rXrZBnsINsOwxr7s9Fs2LQxb0OXCEfS7JMK3j2VTnZieWW3v1TmJp52wAfuFp0_-I3DOuoTYsqeXO2s5eq8u9PpAiG5-4L/s320/2floren33.jpg" border="0" /></a><br />Paolo Cavazzola: Portrait of a Lady , c. 1515 </div>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com6tag:blogger.com,1999:blog-5629474050412632799.post-37137410925549282702007-11-19T18:26:00.000+01:002008-12-11T13:51:14.704+01:00Swabian Gown - Dress DiaryI felt in love with a Swabian gown after seeing them at Myra's website <a href="http://www.myra.hem.nu/costume/">http://www.myra.hem.nu/costume/</a><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSWE2_SjIe8UZKXf4hZY91FwbPvQFumq6kGy25jaVt3hID-5OlM7AgIBSEzkbeCeCLccPSqIAkj6pzbctGPi1AGDlwqPpPfwjZIe_iZiRmJyPjrZD3NdHmp-BB0VDFfun3a59aogG_czm0/s1600-h/sleeve2-500.jpg"><img id="BLOGGER_PHOTO_ID_5134606986364657394" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSWE2_SjIe8UZKXf4hZY91FwbPvQFumq6kGy25jaVt3hID-5OlM7AgIBSEzkbeCeCLccPSqIAkj6pzbctGPi1AGDlwqPpPfwjZIe_iZiRmJyPjrZD3NdHmp-BB0VDFfun3a59aogG_czm0/s320/sleeve2-500.jpg" border="0" /></a><br /><span style="font-size:78%;">Ursula Greckin, ca 1500</span><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW1F8ce_xYhaAq4lDLlOkauukdqiw82jeebPRMaWl2DCb3FpER-nFuUK6NlyHMQDAU99zC_RUrv5hgcdpfVEdkS7Z5QA_Ou_RcV3i5Wmv2aa9MoBFuNZNgCubZNiwrL6x89C8aEndDB3PI/s1600-h/Swabian_bild_1.jpg"><img id="BLOGGER_PHOTO_ID_5134605221133098690" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW1F8ce_xYhaAq4lDLlOkauukdqiw82jeebPRMaWl2DCb3FpER-nFuUK6NlyHMQDAU99zC_RUrv5hgcdpfVEdkS7Z5QA_Ou_RcV3i5Wmv2aa9MoBFuNZNgCubZNiwrL6x89C8aEndDB3PI/s320/Swabian_bild_1.jpg" border="0" /></a><br /><div><div align="left"><span style="font-size:78%;">Barbara Wespach ca. 1500</span></div><div align="left">See Grizel's bead pages for more beaded sleeves and dresses: <a href="http://old.medievalbeads.com/">http://old.medievalbeads.com/</a></div><br /><div align="left"></div><div align="left">This dress is going to involve lots of embroidery. I just love the asymetric style of the one embroidered sleeve (and - it's less work to do one sleeve than two :-) )</div><br /><div align="left">Progress so far: </div><div align="left"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqi2i9_aFfNWb-2p9JTGzK8prZqW5ckhSgG8jSY-ENMYqC2Uum35lE9skYnqCFiGcdTw3xWqGkr3JX5gA2WoA9asw1mmza4OF3AsdJ6gzXHN5eNGZAxKmEubvcDgBrKMbZp5ub-8dCkCcc/s1600-h/Swabian+Gown_Sleeve_1.jpg"><img id="BLOGGER_PHOTO_ID_5134604473808789154" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqi2i9_aFfNWb-2p9JTGzK8prZqW5ckhSgG8jSY-ENMYqC2Uum35lE9skYnqCFiGcdTw3xWqGkr3JX5gA2WoA9asw1mmza4OF3AsdJ6gzXHN5eNGZAxKmEubvcDgBrKMbZp5ub-8dCkCcc/s320/Swabian+Gown_Sleeve_1.jpg" border="0" /></a></div><br /><div align="left">Started with the embroidery: Beads, silk velvet oak leaves and gold thread.</div><br /><div align="left">The gown itself will be made after the pattern of the "Master of the housebook" or Nuremberg dress. </div><br /><div align="left">Example:</div><div align="left"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiBnhzVm0O-I-UJ5QW5o4ULJHUL5BrFA5IpHJ6CcLxSpci_cCSGmPZ9JqTFAu2UxiQ4WIvlmwnGsCLGa3hsBHU3YvJWOW7iAim5Wx5cR8f7R-cIl1oHZ1RMu8ZMIQq5MAqPR34bjSnUmk3/s1600-h/younggirl&oldman.jpg"><img id="BLOGGER_PHOTO_ID_5134604980614930098" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiBnhzVm0O-I-UJ5QW5o4ULJHUL5BrFA5IpHJ6CcLxSpci_cCSGmPZ9JqTFAu2UxiQ4WIvlmwnGsCLGa3hsBHU3YvJWOW7iAim5Wx5cR8f7R-cIl1oHZ1RMu8ZMIQq5MAqPR34bjSnUmk3/s320/younggirl&oldman.jpg" border="0" /></a> </div><div align="left"><span style="font-size:78%;">Young Girl and Old Man, ca. 1475-80<br /></span></div><div align="left">This pattern also has the "grande assiette sleeves" which I always wanted to try for a female dress (my husband has one and will get another one soon ;-) )</div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilTduBCnO1e788io4fgBm3-O31tbLw76RudEyl7hPRIOBnebp8_s_mHe491aYrOmZ2BvvDDlcggodW4QLT54cEjGUz6e_1RV778H-Oci0Ts3Z5C0h5W5bENR2zPkBO3rj-cBCRFaARoJML/s1600-h/twocardplayers.jpg"><img id="BLOGGER_PHOTO_ID_5134609842517909250" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilTduBCnO1e788io4fgBm3-O31tbLw76RudEyl7hPRIOBnebp8_s_mHe491aYrOmZ2BvvDDlcggodW4QLT54cEjGUz6e_1RV778H-Oci0Ts3Z5C0h5W5bENR2zPkBO3rj-cBCRFaARoJML/s320/twocardplayers.jpg" border="0" /></a><br /><div align="left"></div><span style="font-size:78%;">Two Card Players, 1480</span> <div align="left"></div><div align="left"></div><div align="left"></div><div align="left">see <a href="http://www.heatherspages.net/Nuremberg%20dress/artwork/nuremberg%20artwork.htm">http://www.heatherspages.net/Nuremberg%20dress/artwork/nuremberg%20artwork.htm</a> for more examples<br /></div><div align="left">Way to go!!! </div></div>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com3tag:blogger.com,1999:blog-5629474050412632799.post-88194151674666463602007-10-30T10:14:00.000+01:002008-12-11T13:51:15.348+01:00Stella's purseAs a birthday present I made a pursefor Stella matching her laurel cloak.<br /><div><div><div><div>I had a "left over" beaded flower (one, I made myself - the ones on the laurel cloak were made by Elslin and Eleanore), so I decided to do a purse with a circle opening.</div><div></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV27O0jRlqs14mEh097i3ZYhLrpN2Eha3LMIP6E9mXqBL2P_ZC4sJsS3BDWWdh_8C-GdHcXwRhOsnU0KwWy_e0N7AQ-mkRA5IzDv1ZgzP-0vO_aUzu2gwfA0iCbWCOYUqLSZfKCJrnbASx/s1600-h/Stellapurse_progress.jpg"><img id="BLOGGER_PHOTO_ID_5127057415710614354" style="WIDTH: 231px; CURSOR: hand; HEIGHT: 237px" height="274" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjV27O0jRlqs14mEh097i3ZYhLrpN2Eha3LMIP6E9mXqBL2P_ZC4sJsS3BDWWdh_8C-GdHcXwRhOsnU0KwWy_e0N7AQ-mkRA5IzDv1ZgzP-0vO_aUzu2gwfA0iCbWCOYUqLSZfKCJrnbASx/s320/Stellapurse_progress.jpg" width="257" border="0" /></a></div><br /><div>The star has the beaded flower in the center, with glass beads and golden sequins, and is embroidered with couched gold thread and applique (purple silk velvet).<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEQx6deSfVlzqhmu76sYhsk9FUB2OHtMm9LEgBp1SW0twEgFtjelAu0Q7H0Eueb-Cmxb5XmH8To6b16rNuvshRSeJJOSKMG0y2u7PF0geXMF74e7mvbx4un4SCYoI0hPDzGD-xUZPaB8II/s1600-h/stellapurse_finished.jpg"><img id="BLOGGER_PHOTO_ID_5127056999098786610" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEQx6deSfVlzqhmu76sYhsk9FUB2OHtMm9LEgBp1SW0twEgFtjelAu0Q7H0Eueb-Cmxb5XmH8To6b16rNuvshRSeJJOSKMG0y2u7PF0geXMF74e7mvbx4un4SCYoI0hPDzGD-xUZPaB8II/s320/stellapurse_finished.jpg" border="0" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcYSp5lwvKRSKbj5R6lv2hmhUL4MYwqrcupRg-ZGV-0cJMGRIP9df-NnXUag2matnCjK4n30b_9QBJWFWpSW4vhWFwBSuO-5ihPNWalKjVK0hA115sqrLTsWk16gZp0jUy2HrL1hf4IPAs/s1600-h/Stellapurse_finished_open.jpg"><img id="BLOGGER_PHOTO_ID_5127057913926820706" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcYSp5lwvKRSKbj5R6lv2hmhUL4MYwqrcupRg-ZGV-0cJMGRIP9df-NnXUag2matnCjK4n30b_9QBJWFWpSW4vhWFwBSuO-5ihPNWalKjVK0hA115sqrLTsWk16gZp0jUy2HrL1hf4IPAs/s320/Stellapurse_finished_open.jpg" border="0" /></a></div><div>Materials used for the purse:</div><div>Embroidery: Silk velvet, gold thread, gold sequins, silk thread</div><div>Wool fabric, silk fabric (lining) </div><div></div><div>Sources:</div><div><a href="http://gallica.bnf.fr/image?L=08100039&I=000061">Roboam and his subjects</a> in the Speculum historiale (BNF Fr. 50, fol. 88), 15th century</div><div><a href="http://gallica.bnf.fr/image?L=08100046&I=000192">Torture of a profaner</a>, Speculum historiale (BNF Fr. 51, fol. 440v), 15th century</div><div><a href="http://expositions.bnf.fr/fouquet/grand/f124.htm">Portrait of Guillaume Jouvenel des Ursins</a>, ca. 1460-1465</div><div><a href="http://www.wga.hu/html/m/master/zunk_fl/15_paint/2/09adorat.html">Adoration of the Magi</a>, 1475-1500</div><div><a href="http://www.wga.hu/art/m/master/ms/1visita.jpg">The Visitation</a> by Master M S, 1506. </div><div><a href="http://www.kikirpa.be/www2/cgi-bin/wwwopac.exe?DATABASE=object&LANGUAGE=0&OPAC_URL=&%250=108452">Mary embraces Elizabeth</a>, c. 1510Elizabeth and Zachariah have pouches suspended from their belts.</div><div></div><div></div></div></div></div>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com2tag:blogger.com,1999:blog-5629474050412632799.post-52704163479382745732007-10-24T10:49:00.001+02:002008-12-11T13:51:16.354+01:00The Holledoublet aka doublet from hellYes, this is an insane project - but it's finished.<br />The doublet has quilted sleeves, but they are in my husband's armour bag... (Pictures will follow).<br />First: My husband didn't asked me to do it - it was my own idea. But he loves it. And he likes the feeling. I cannot recommend to do it as a armouring project, because it took me 2 1/2 years to do it - and I would never recommend to do such stuff!!<br />Secound: It's called "doublet from hell" because it's one of these "projects from hell" - time intense, work intense, suffering (got a tennis elbow from doing the quilting!!)...<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOiCmKhzdnWMAvNuxwv10KuECy9Rx2W1_xSY7Oyy2zaJP0xMnZi35EIQELaByc4PDcMwkyFuC_nB47Byinr9izxd6gcxgK9M6jAtqs_nr2y9OeFEcQiPQBlKnMUlhj4ePRxhI80aBANNJB/s1600-h/Holledoublet_2.jpg"><img id="BLOGGER_PHOTO_ID_5124822956803814578" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOiCmKhzdnWMAvNuxwv10KuECy9Rx2W1_xSY7Oyy2zaJP0xMnZi35EIQELaByc4PDcMwkyFuC_nB47Byinr9izxd6gcxgK9M6jAtqs_nr2y9OeFEcQiPQBlKnMUlhj4ePRxhI80aBANNJB/s320/Holledoublet_2.jpg" border="0" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW_erM-G58UO12G3xipnno2PWDYkHBzV-v_4CGWez4jkUhnfEWU4fBZL4XllFGfzRwqlAEnZu-A5QX-Vr1xCNsAuDOGEw1dOd9z_HUgw4YT0ET5HjZn5LefzGje1324h367cBMSOjih7Lu/s1600-h/Holledoublet_1.jpg"><img id="BLOGGER_PHOTO_ID_5124822819364861090" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhW_erM-G58UO12G3xipnno2PWDYkHBzV-v_4CGWez4jkUhnfEWU4fBZL4XllFGfzRwqlAEnZu-A5QX-Vr1xCNsAuDOGEw1dOd9z_HUgw4YT0ET5HjZn5LefzGje1324h367cBMSOjih7Lu/s320/Holledoublet_1.jpg" border="0" /></a><br />Holle doublet - full view<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihiS87nVSE8bW8xJ0JjXUHa-RtoynIG_nm0bDioXlNE00bpaLtmrDEJOMw6a-weSPK2ogca1eeG-JhuOCY3cPU84Vk4Lkh6vX3FUYKV6Z7tlracI8HYDBxRd2-AWfwMJyRO5Q58sX4bTCt/s1600-h/Holledoublet_detail_2.jpg"><img id="BLOGGER_PHOTO_ID_5124823248861590738" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEihiS87nVSE8bW8xJ0JjXUHa-RtoynIG_nm0bDioXlNE00bpaLtmrDEJOMw6a-weSPK2ogca1eeG-JhuOCY3cPU84Vk4Lkh6vX3FUYKV6Z7tlracI8HYDBxRd2-AWfwMJyRO5Q58sX4bTCt/s320/Holledoublet_detail_2.jpg" border="0" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3N6FGdlULUCVDtOnn9WO0Ha8Pv9sA2lX1vCoUbHhs9XTkcu0Sv9ySBt8drUF-TTbW8H4Hf5mzpxurcGhSjqDOcgEVojj12ijE7QIT0naXxtGfgUFb6ugTpBuZajgXxACC_crm5AwVM6Mo/s1600-h/Holledoublet_detail.jpg"><img id="BLOGGER_PHOTO_ID_5124823102832702658" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg3N6FGdlULUCVDtOnn9WO0Ha8Pv9sA2lX1vCoUbHhs9XTkcu0Sv9ySBt8drUF-TTbW8H4Hf5mzpxurcGhSjqDOcgEVojj12ijE7QIT0naXxtGfgUFb6ugTpBuZajgXxACC_crm5AwVM6Mo/s320/Holledoublet_detail.jpg" border="0" /></a><br /><br /><div><div><br /><div>Holledoublet - details<br /></div><br /><div><strong>Documentation<br /></strong></div><br /><div><em>1. What is a “holledoublet”?</em><br /><br />A “holledoublet” is a doublet “full of holes”, an “eyelet gambeson”. It is described in a mid-fifteenth English manuscript titled “how a man schall be armyd at his ese when he schal fighte on foote”:<br />“He schal have noo schirte up on him but a dowbelet of ffustean lyned with satene cutte full of hoolis.”[1]<br />Some of these fantastic gambesons have survived and can be seen in museums worldwide (Coburg, Bern, Würzburg, Brüssel and New York). The German names for this piece of armor is “Lentner”, and the fabric, which emerged from sewing the layers of linen together with eyelets, was called “Panzerstoff” (bullet proof fabric). This is the right description for this fabric, as ”the stitches touch and make a reenforcing web of threads, the eyelet holes let the air pass”.[2]<br />The existing pieces are hard to date, but “may have been quite common. […] Nothing can be judged about the popularity of an item by how many survive today. It is usually rarities that are treasured and preserved. Common everyday objects are usually used to death.”[3]<br /></div><div>a.) Coburg: horseman - holledoublet, and it is preserved complete.<br />It is made only of linen 3 to 4 layers. The material for the holes is also linen.[4] </div><div>(sorry, no picture...) </div><div><br />b.)Bern: Four layers of linen with inserted rings.[5]</div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS_ULdLjBztz0QTdPYUCaP6chUJxxNw33A1VMA2P-Q5LtqEzjRn_T81ULaNebhSiK3Qzhm-LmkDynfZLoFrPE5YctnIdSAT2I0NGAkTTivmgpYsTxntP77kMHYPWvv8z-GGplcLySlq7eL/s1600-h/Leinenpanzer_Mann.jpg"><img id="BLOGGER_PHOTO_ID_5135244428230860594" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgS_ULdLjBztz0QTdPYUCaP6chUJxxNw33A1VMA2P-Q5LtqEzjRn_T81ULaNebhSiK3Qzhm-LmkDynfZLoFrPE5YctnIdSAT2I0NGAkTTivmgpYsTxntP77kMHYPWvv8z-GGplcLySlq7eL/s320/Leinenpanzer_Mann.jpg" border="0" /></a><br /><br /><div>c.) Holledoublet for a dog/ Veste Coburg: Made from several layers of linen. This armor was used for the boar hunt – a very good example of the strength of the material! [6]<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVYl9kOtNSOe9AGo-A31V0KLueNUvZ2dMs3wvOpz_KiY-YFYqpj2-geszON-j2ib3dogznOQb-jDLkmMZL83DQWqgXpabjfcDdVYFYMllgmxOdKC_E8QhagaPK_XdpS3HVPqY5KpZbXAT5/s1600-h/Leinenpanzer_hund.jpg"><img id="BLOGGER_PHOTO_ID_5135243715266289442" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVYl9kOtNSOe9AGo-A31V0KLueNUvZ2dMs3wvOpz_KiY-YFYqpj2-geszON-j2ib3dogznOQb-jDLkmMZL83DQWqgXpabjfcDdVYFYMllgmxOdKC_E8QhagaPK_XdpS3HVPqY5KpZbXAT5/s320/Leinenpanzer_hund.jpg" border="0" /></a><br /><em></em></div><div><em>2. Materials</em><br /><br />Comparing the Materials I used to the one in the Original pieces<br /><strong>Originals:</strong> White Linen fabric, white linen thread; </div><br /><div>Some pieces without metall rings, but found in two pieces (Würzburg, Bern).<br />The piece in Würzburg has brass rings in it, but I couldn’t find out how they were manufactured. The could be made excactly like the rings for a chain mail (from a brass wire) or punched from a sheet of brass foil<br /></div><br /><div><strong>My work:</strong> White Linen fabric; Linen thread – natural dyed with onion skin to make the eyelets visible (I wanted my hard work to show and liked the pattern of the little “stars”); Brass rings, modern manufactured. I decided to use modern ones, because of time (this project took me nearly two years to finish WITHOUT making the brass rings myself) and as there was no way to find out how the originals were made (museums don’t like it when you take apart your museum pieces. And there was no chance to see it through the glass or handle them)<br /><br />The arms were not preserved. But if you compare them to other period gambesons “period choices of materials were usually two or more layers of linen stuffed with tow, rags or other material."[7]<br /><br />Quilted arms: linen, woolen fabric, linen thread. See Maciejowski Bible for quilting pattern:[8]<br />As the fingings are not finished except the Coburg one, it is hard to guess which way of finish they used in period. Some of the Coburg seams are finished by folding the layers to the inside and sew the seam allowances together with a running stitch.<br />Linen ribbon for finishing neckline, armholes and seams<br />My aim was to stop any fraying from occurring. As decribed and pictured in the London finds I used a ribbon for facing.[9] I chose linen because of its strength.<br /><br /><em>3. Manufacturing process<br /></em><br />pattern<br />I mesured my husband and made a pattern. I did a simple tunic shape, just slightly narrower at the hips and with shoulder seams for a better fit. I cut the parts in three layers of linen, a white one and a natural coloured one.<br />I sewed the shoulder seams with a running stitch and reinforced the seam by opening it and fixing it with hem-stitch.[10]<br /><br />inserting rings (example)<br />Sewing the holes in the doublet was very time consuming. I found out that the best way to do it was inserting several rings at one time and fixing them with pins. This helped as the fabric didn’t stretched that much. I pushed the awl in the middle of the ring and then sewed around it in eight stitches.<br />See the example piece!!<br /><br />finishing neckline and armholes with linen ribbon, side seams<br />I sewed the linen ribbon to the right side of the arm and neck lines, then turned it over and fixed it with hem stitches. I uses white linen thread for it.<br />I closed the side seams and covered the seam allowance with the linen ribbon.<br /><br />quilted parts (arms and hips)<br />I decided on vertical quilting as I didn’t want to distract with complicated quilting designs from the eyelets. I used a linen thread that is a little darker then the one used for the eyelets.<br />The arms were contructed of five layers of linen and two layers of wool. First the pieces were quilted. Then the shoulder and hand seam were finished, inserting ten rings for eyelets at the shoulder to attach them to the doublet. The arm seam was closed and the seam allowances were hem-stitched to the sides of the seam.<br /><br />closure<br />The remaining pieces have no closure. So I decided to insert rings in the attached band to strengthen it, as the main power will tear on the closure points. The closure piece was worked with linen thread (same colour as quilting) on a folded piece of linen. I inserted one length of the linen ribbon at the front seam to reinforce it.<br /><br /><em>4. Literature<br /></em><br /><a href="http://www.companie-of-st-george.ch/ml-livhist/msg01019.html">http://www.companie-of-st-george.ch/ml-livhist/msg01019.html</a> - Discussion on Mailinglist of “Company of St. George” about the holledoublet<br /><br />Die Ritter. Katalog der Burgenländischen Landesausstellung 1990 auf der Burg Güssing vom 4. Mai bis 28. Oktober 1990. Harald Prickler. Eisenstadt 1990.<br /><br />Alles Jagd. Eine Kulturgeschichte. Kärntner Landesausstellung im Schloß Ferlach vom 26. April bis 26. Oktober 1997. Günther Hödl und Hartwig Pucker. Klagenfurt 1997.<br /><br />Gefährlich und schön. Eine Auswahl historischer Waffen aus den Beständen der Kunstsammlung der Veste Coburg. Alfred Giebig. Coburg 1996.<br />Arms and Armour of the Medieval Knight. An Illustrated History of Weaponry in the Middle Ages. David Edge and John Miles Paddock. Crescent Books 1995. <a href="http://www.medievaltymes.com/courtyard/maciejowski_images_4.htm">http://www.medievaltymes.com/courtyard/maciejowski_images_4.htm</a> - Maciejowski Bible, Leaf 4<br /><br />Textiles and clothing. 1150 – 1450. Elisabeth Crowfoot, Frances Pritchard and Kay Staniland. London 2002. </div><br /><br /><div>Footnotes<br />[1] Arms and Armour p. 117<br />[2] G. Embleton, Company of St. George mailinglist<br />[3] G. Embleton, Company of St. George mailinglist<br />[4] Gefährlich und schön p. 256<br />[5] Die Ritter p. 267<br />[6] alles jagd...eine kulturgeschichte p 584.<br />[7] Arms and armour p. 57<br />[8] maciejowski_images_4.htm<br />[9] Textiles and Clothing p. 159<br />[10] For sewing see Textiles and Clothing pp. 156</div></div></div>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com7tag:blogger.com,1999:blog-5629474050412632799.post-21912886060032162722007-10-19T08:02:00.000+02:002008-12-11T13:51:17.314+01:00Manchester City Galleries - Costume Collection<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsSDZtbMRaBO1cMgGbKAeDc9syKNdEEjK-UxdPwFAQjUWwykMduLApcanQvOY2OI6hXE-WhSDVJwapzJD5n1Yd5rWhrSdcAVNGzqUeYoDAq2jSjpD3VV77-1tuxv06NWHsP3sgfk-q5tpb/s1600-h/Manch1.jpg"><img id="BLOGGER_PHOTO_ID_5122930276385616962" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsSDZtbMRaBO1cMgGbKAeDc9syKNdEEjK-UxdPwFAQjUWwykMduLApcanQvOY2OI6hXE-WhSDVJwapzJD5n1Yd5rWhrSdcAVNGzqUeYoDAq2jSjpD3VV77-1tuxv06NWHsP3sgfk-q5tpb/s320/Manch1.jpg" border="0" /></a><br />England 1640-60, 28 cm<br />Materials: leather, silk , lace, silver thread, horsehair<br />Kid gloves for men or possibly women, with slit cuff lined with fawn silk, linked with two bands of fawn ribbon (faded salmon pink), edged with silver gilt bobbin lace; cuff embroidered, on bright mauve-pink silk satin in a pattern of snails padded with horsehair and additional padded circular motifs in yellow and blue; surrounded with within border in padded work in silk, silver thread, coil, in satin, laid and knot stitches; edged spangles and silver bobbin lace , with spangles attached to points (left thumb missing); degraded silk embroidery shows padding underneath - very good source for process.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0lj3UKBPCl8pKVsKqYTIbTMktK6IXqIZjAf3QFw4qFcIeKzlQ38pLr2vluCnjt1IhlLtkMKsqrxsObwTOo-t6b2B_aytIVNi0Jb_3x9ubF5rFeoJKGvLcp6fabwaok3msyM7RLG0dBDxX/s1600-h/Manch2.jpg"><img id="BLOGGER_PHOTO_ID_5122930499723916370" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0lj3UKBPCl8pKVsKqYTIbTMktK6IXqIZjAf3QFw4qFcIeKzlQ38pLr2vluCnjt1IhlLtkMKsqrxsObwTOo-t6b2B_aytIVNi0Jb_3x9ubF5rFeoJKGvLcp6fabwaok3msyM7RLG0dBDxX/s320/Manch2.jpg" border="0" /></a><br />England, 1580 - 1620, 41cm<br />Buff leather gauntlet gloves. Cuffs (lined with brown and green shot silk) embroidered in formal floral design mainly in coiled metal thread over silk thread worked in satin stitch, open at outside to wrist with gold fringe round side and bottom edges, outside edges connected by three leather strips lined brown silk with looped edging of gold thread and embroidered in meandering design in laid metal thread and spangles, rest of glove, except side pieces of fingers, lined leather, side pieces of fingers shaped into point on back of hand, applied leather band with formal floral embroidery round base of thumb, rectangle beneath with similar embroidery joining band of gauntlet<br /><br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOAPjbLxetwYXeR0hTcaQBnMrWnGlNysrQjk9e556VSLBy_nOqfhHmOKfPTB7-aLkXXXD8hTNEEgQ6BvTyyDu5uHek_di4oS8n4lhyQSs2ma50OScj05dqMYSUJkRQ68Y2CyLcq1HsG_nM/s1600-h/Manch3.jpg"><img id="BLOGGER_PHOTO_ID_5122930632867902562" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOAPjbLxetwYXeR0hTcaQBnMrWnGlNysrQjk9e556VSLBy_nOqfhHmOKfPTB7-aLkXXXD8hTNEEgQ6BvTyyDu5uHek_di4oS8n4lhyQSs2ma50OScj05dqMYSUJkRQ68Y2CyLcq1HsG_nM/s320/Manch3.jpg" border="0" /></a><br />England, 1640 - 1660, 12.75 inches<br />Material: kid leather<br />seamed at outer hand and round base of thumb, v-shaped sections between fingers with small gusset at base, extending half way up forearm to form gauntlet, open at seam, connected by three pieces of brown silk ribbon, gauntlet lined brown silk, forming binding at edge and showing through cut-out embroidered geometrical decoration worked in chain stitch, overcasting, buttonhole stitch and herringbone stitch, similar but without cutting out at base of fingers on back and round thumb, cut-out decoration at base of fingers on palm with needlework fillings and decoration in chain stitch and buttonhole stitch<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEheGLgiM9L_QRSM3meXprYQBBQfKTEGfYcFj3YBX41oy4XB3b7aEa5g9StTwx6XsuzOZ7s-64yq_XdFzejUV4E1ADloP4jVgw8jxFNUkeK3E6KFOAIjDMpXgH4weLa-AxQMwLXAVKrSuc/s1600-h/Manch4.jpg"><img id="BLOGGER_PHOTO_ID_5122930783191757938" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgEheGLgiM9L_QRSM3meXprYQBBQfKTEGfYcFj3YBX41oy4XB3b7aEa5g9StTwx6XsuzOZ7s-64yq_XdFzejUV4E1ADloP4jVgw8jxFNUkeK3E6KFOAIjDMpXgH4weLa-AxQMwLXAVKrSuc/s320/Manch4.jpg" border="0" /></a><br />England, 1580 - 1600, 41.5 cm<br />Materials: Kid leather<br />Fawn leather, embroidered with silk thread, metal lace and spangles. Lined with white kid. Gauntlets white satin embroidered over stiff foundation, lined with red silk, seamed at outer hand, sewn-in thumb, v-shaped sections between fingers, gauntlets, widening towards edge, trimmed at join with wrist with ruched red silk ribbon with gold lace trimming, gauntlet edge cut into long rounded tabs connected inside by red silk gussets, and edged gold lace with spangles, embroidered with shells, the pelican in her piety, and birds and flowers, with silk and metal thread worked mainly in satin stitch and laid work, the shells and the pelicans raised.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd5_X-K7LrSrg1TZv-nqyiQ3YJr8uDZ8bCplSuwTerYDLkjYzfK3tWXKmdomb6UmV8POc_ApBcEKxgwMMkZItoeYAQi70IWW_QCRwMqHWosBV9YKyEilhpIiLdVRf-D0iBbmb2Uub8u0uN/s1600-h/Manch5.jpg"><img id="BLOGGER_PHOTO_ID_5122931049479730306" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd5_X-K7LrSrg1TZv-nqyiQ3YJr8uDZ8bCplSuwTerYDLkjYzfK3tWXKmdomb6UmV8POc_ApBcEKxgwMMkZItoeYAQi70IWW_QCRwMqHWosBV9YKyEilhpIiLdVRf-D0iBbmb2Uub8u0uN/s320/Manch5.jpg" border="0" /></a><br />1640-1650, 11.5 inch<br />Materials: Leather, metal, silk, Kid<br />Gauntlet of beige silk, backed with white kid, and partly lined with lime-green silk twill. Embroidered in coloured silk threads, metal thread chain stitch, couched metal strip and metal sequins. Edged with looped silk and metal thread picot braid. Design consists of naturalistic birds and full blown flowers with smaller stylised fruit motifs.<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtoRerjVPR4VjXTRqG-Wer3LafMtrVPHWXRXtanGB8Qb9K7FUpkFIBsOnuARDRfmKUYw1J_SD8iBdcetJ9gPiSIyLc4hstg5OgKhZkIoUy0ZDXM6Opn4Ujj8ObaIQufCXo_ThCF5oDTr8M/s1600-h/Manch6.jpg"><img id="BLOGGER_PHOTO_ID_5122931341537506450" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtoRerjVPR4VjXTRqG-Wer3LafMtrVPHWXRXtanGB8Qb9K7FUpkFIBsOnuARDRfmKUYw1J_SD8iBdcetJ9gPiSIyLc4hstg5OgKhZkIoUy0ZDXM6Opn4Ujj8ObaIQufCXo_ThCF5oDTr8M/s320/Manch6.jpg" border="0" /></a><br />Europe 1640-1660, 31.5 cm<br />Materials: Kid, leather, gilt, silk<br />White kid. Vent in outer edge of cuff. Cuffs worked with broad band of embroidery in gilt thread and silks, mostly blue, yellow and orangey-brown, showing birds and flowers. Bound and faced with orangey-brown plain weave silk and edged with a gilt fringe.<br /><em><span style="color:#ff0000;">The embroidery of this glove was used as a pattern for Stella's gloves</span></em>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com1tag:blogger.com,1999:blog-5629474050412632799.post-68291353851545741242007-10-16T19:56:00.001+02:002008-12-11T13:51:18.385+01:00WiP - Melissa's Elizabethan GlovesI'm working on these gloves for quite a while now - Started them in Summer 2005, but I was never very content how the shape of the glove turned out. My goal was to make "real" Elizabethan gloves for ladies, with the very slim, longish, pointy fingers, like all pictures and artifacts show. More than to add just a wonderful embroidered cuff in Elizabethan style to a modern leather glove...<br />O.k., so the first version of the leather part sucked. Didn't looked like the thing I intended at all. After having a hard time with the embroidery (o.k., needle painting is not easy at all, but please try needle painting on silk velvet!!! It's NOT funny... And it looks like... not good at all), I just gave up and stopped the project.<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyil9VccI3Uma-HmZ9qcNRafmFman0KaAnA0-s9cFiN5SDoAtM5nu_DKC9OtnauZKoobbGjewnAEbBAdP7FecrsjlEsD5Jsg7ezzfAFHlhSv1Jh1-CCxzGqx9OPZ4fLqbxIimK6WbmWRJ1/s1600-h/Melissa_embroidery_wrong.jpg"><img id="BLOGGER_PHOTO_ID_5122181006455927778" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyil9VccI3Uma-HmZ9qcNRafmFman0KaAnA0-s9cFiN5SDoAtM5nu_DKC9OtnauZKoobbGjewnAEbBAdP7FecrsjlEsD5Jsg7ezzfAFHlhSv1Jh1-CCxzGqx9OPZ4fLqbxIimK6WbmWRJ1/s320/Melissa_embroidery_wrong.jpg" border="0" /></a><br />And I didn't like the look of the wool thread on the silk velvet - while the velvet shimmers, the embroidery looks... matte.<br /><div><div><div><br /><div>So I got myself a really nice looking silk thread of unspun silk (au ver a soie, soie ovale - I bought it here: <a href="http://www.tentakulum.de/">http://www.tentakulum.de/</a> , a fabulous thread store in Frankfurt/Main, they have an online shop) . After some try outs I decided on chain stitch, which is period and looks nice (and is easy and fast to do :-)</div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZpWlQcyDds-W3Sgzp4R9zAcOaWheYr-0TJs0oSTCneRXEC9PDuJKn-68bI0_P2tqChlosBDyJqYupSS-tacrByOM1VNoMglyVtkwEoetq6E-zZCLlwvfSceca3qD7GzP6ApDfztGYB2Xb/s1600-h/Garn_au+ver+a+soie.jpg"><img id="BLOGGER_PHOTO_ID_5122184352235451442" style="CURSOR: hand" height="68" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZpWlQcyDds-W3Sgzp4R9zAcOaWheYr-0TJs0oSTCneRXEC9PDuJKn-68bI0_P2tqChlosBDyJqYupSS-tacrByOM1VNoMglyVtkwEoetq6E-zZCLlwvfSceca3qD7GzP6ApDfztGYB2Xb/s320/Garn_au+ver+a+soie.jpg" width="267" border="0" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54Gbxl1LlaZzvNnLMkXWqezAXqmXnpG0knXkoX8vrp27dpNAKdgi8ELSScANfMobd4lqG0WADwJi6pbIR4LPd9irei9gjThFwlrBcJW7n0iibda-w2TZrSmRPGpRxyoEJWatBqMOEFYX7/s1600-h/Melissa_embroidery_start.jpg"><img id="BLOGGER_PHOTO_ID_5122181577686578194" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi54Gbxl1LlaZzvNnLMkXWqezAXqmXnpG0knXkoX8vrp27dpNAKdgi8ELSScANfMobd4lqG0WADwJi6pbIR4LPd9irei9gjThFwlrBcJW7n0iibda-w2TZrSmRPGpRxyoEJWatBqMOEFYX7/s320/Melissa_embroidery_start.jpg" border="0" /></a></div><div>I already started the embroidery - at the top paatern in the picture if you stare really hard, you might see a hint of green :-)</div><div>The design for the embroidery is based on a Swiss tablecloth in Zurich (1612), that I've found in the book "Mit Nadel und Faden" (great overview of embroidery andtextile arts). The design on the tablecloth is the edge surronding a religious motive, I've added the leaves and roses at the bottom.</div><div>Back to the correct pattern of the glove:<br />After slipping on the left glove, already finished, but not good looking, I was feeling very brave and silly, I took a scissor and started cutting. Didn't cut my fingers, took the slit-up glove as a mock up, created a new pattern and FINALLY suceeded!!! It just looks like the Original Elizabethan glove that's on display in museums!!! Yeah!!! </div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLR_EmMIqQr95f1iXWQ0ke_y1tHGilV31GBxhAjtYqMyVYmvF8gip9U2BO3NhcSkMIf401fCOhIM5Q9FPtELZQMFGEuukUQcQ007b4TLuQQD1JTTMTTuK5Rarl_Ck1Dw-cTMuzZUeS1Zwf/s1600-h/Melissa_pattern.jpg"><img id="BLOGGER_PHOTO_ID_5122181753780237346" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLR_EmMIqQr95f1iXWQ0ke_y1tHGilV31GBxhAjtYqMyVYmvF8gip9U2BO3NhcSkMIf401fCOhIM5Q9FPtELZQMFGEuukUQcQ007b4TLuQQD1JTTMTTuK5Rarl_Ck1Dw-cTMuzZUeS1Zwf/s320/Melissa_pattern.jpg" border="0" /></a></div><div><div>To show the different form of the gloves I've put my14th century glove (my first glove!!) besides it and laid it on top. You can see the difference very easy, as the fingers on the Elizabethan glove are longer and more pointy. The gussets (inserts between the fingers) are extra long and pointy, too. I will try to take some pictures later (not so easy with the leather being dark blue...)</div></div><div></div><div></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSW7Yy0RplUNf60etgUMO_3rXBM9R7_k61oINtKZO2IJcMjubArNHgV84WPGXeTa5fZ9P3bgtpmcFse641zsDUNSoNCyJXsoBQ05yMbDz93L2odot-Kt7BsWxJ9k7F0cePj_bYKU7RwpOC/s1600-h/Melissa_comparing_2.jpg"><img id="BLOGGER_PHOTO_ID_5122181405887886338" style="WIDTH: 336px; CURSOR: hand; HEIGHT: 177px" height="159" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjSW7Yy0RplUNf60etgUMO_3rXBM9R7_k61oINtKZO2IJcMjubArNHgV84WPGXeTa5fZ9P3bgtpmcFse641zsDUNSoNCyJXsoBQ05yMbDz93L2odot-Kt7BsWxJ9k7F0cePj_bYKU7RwpOC/s320/Melissa_comparing_2.jpg" width="298" border="0" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkRK8LfITxEvAwJ0mRSRtoS4JqqH8gxRUTgxap87V5u-0180h7CrLpjx-XNkeCqPn6dq4zHbgF5lCUE3q6Dahf4exBk7yCXFsaEbJIyVFgpL0UfkVyWtxmWK433OayjqpH7ZnGOci_oItU/s1600-h/Melissa_comparing_1.jpg"><img id="BLOGGER_PHOTO_ID_5122181268448932850" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkRK8LfITxEvAwJ0mRSRtoS4JqqH8gxRUTgxap87V5u-0180h7CrLpjx-XNkeCqPn6dq4zHbgF5lCUE3q6Dahf4exBk7yCXFsaEbJIyVFgpL0UfkVyWtxmWK433OayjqpH7ZnGOci_oItU/s320/Melissa_comparing_1.jpg" border="0" /></a></div></div></div></div>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com0tag:blogger.com,1999:blog-5629474050412632799.post-43563825305829159242007-10-16T19:47:00.000+02:002008-12-11T13:51:19.720+01:00Gloves/Cuffs for Michael and MoiraPictures from the Pennsic War 35 (2006) Opening Ceremony showing the gloves and cuffs I made for Michael and Moira<br /><br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbmMGYXTnhqION-HYBmeK735m1q3YUObAKGbKKJ0cA3M_tjris3tl7bKhvcwbhsRERCBhtIR8x19FalUdDrh7gTiL7vNza08aPPWfLJGj3R2Z1ar6rcwqb3AYNfLN0A1ZBdZ1l60RKtdiO/s1600-h/Michael_Moira_Opening_Pennsic.jpg"><img id="BLOGGER_PHOTO_ID_5121997830395720578" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbmMGYXTnhqION-HYBmeK735m1q3YUObAKGbKKJ0cA3M_tjris3tl7bKhvcwbhsRERCBhtIR8x19FalUdDrh7gTiL7vNza08aPPWfLJGj3R2Z1ar6rcwqb3AYNfLN0A1ZBdZ1l60RKtdiO/s320/Michael_Moira_Opening_Pennsic.jpg" border="0" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0hGfVgQT_Y3EG1V1223du0e_3X0UrvpsIm0Vebyyx0oQjU4grdGk7-u1RNRSOT401Itj3cKTALwlBAFqQYmEKJi4G5ph1H8QUXdwf8jIlwJbDX0EHVQoIPY_6GkW2i1b0cmr9u-gxlstu/s1600-h/Cuffs_Michael_Moira.jpg"><img id="BLOGGER_PHOTO_ID_5121998096683692946" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0hGfVgQT_Y3EG1V1223du0e_3X0UrvpsIm0Vebyyx0oQjU4grdGk7-u1RNRSOT401Itj3cKTALwlBAFqQYmEKJi4G5ph1H8QUXdwf8jIlwJbDX0EHVQoIPY_6GkW2i1b0cmr9u-gxlstu/s320/Cuffs_Michael_Moira.jpg" border="0" /></a><br /><div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6O5bkwAPOOPzmE7OCkM4T1Tpd5sbCOjZO2zN3wiagQ_HtugmrpFX8Zjpodt1pAOAOZF2S1bcLSneD7sNFdZsHBXkq4LyLz5Cwnc69MQkNo7GH70UaQeKHBwZXzcEE0Nf5JEeOe4GiIis9/s1600-h/Opening_pennsic_2.jpg"><img id="BLOGGER_PHOTO_ID_5121998745223754690" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6O5bkwAPOOPzmE7OCkM4T1Tpd5sbCOjZO2zN3wiagQ_HtugmrpFX8Zjpodt1pAOAOZF2S1bcLSneD7sNFdZsHBXkq4LyLz5Cwnc69MQkNo7GH70UaQeKHBwZXzcEE0Nf5JEeOe4GiIis9/s320/Opening_pennsic_2.jpg" border="0" /></a></div><div><br /><br />Based on these Originals<br /><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuY6zzeuc3xhelRuxfBgT7ci9251QgBqCLjiXYKxal5taWEONKFuAvA7hGf2xRTkdMwef1_qpfVjxakyFkwkgxhLbGpBiVt-yGnu5KjFHWQmSJbMZhNPiB-ruhG07VUFjVT5yaDpvyOh9-/s1600-h/1200_emperor+Friederich.jpg"><img id="BLOGGER_PHOTO_ID_5121998320021992354" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiuY6zzeuc3xhelRuxfBgT7ci9251QgBqCLjiXYKxal5taWEONKFuAvA7hGf2xRTkdMwef1_qpfVjxakyFkwkgxhLbGpBiVt-yGnu5KjFHWQmSJbMZhNPiB-ruhG07VUFjVT5yaDpvyOh9-/s320/1200_emperor+Friederich.jpg" border="0" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7hqJb1F7sqGWAaieG7AwMZEQRBAXp8aQKt0L58xtCzx6aVgKNRUFxtKyEPLy5uqSm1G7C-EWib4vCOW_8SYTP2ALEc_NClVWPO8lbLF0VyLx0-kFvWo_64L-q70D09N5ptTsaE3s-IBtQ/s1600-h/1130_cuffs.jpg"><img id="BLOGGER_PHOTO_ID_5121998500410618802" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7hqJb1F7sqGWAaieG7AwMZEQRBAXp8aQKt0L58xtCzx6aVgKNRUFxtKyEPLy5uqSm1G7C-EWib4vCOW_8SYTP2ALEc_NClVWPO8lbLF0VyLx0-kFvWo_64L-q70D09N5ptTsaE3s-IBtQ/s320/1130_cuffs.jpg" border="0" /></a></div><br /><br /><div>Gloves: 1220, Gloves of the Holy Roman Emperor. Kunsthistorische Museum, Vienna<br />Sicily, beginning of the 13th century Red silk, embroidered in gold; rubies, sapphires, pearls; enameled gold; L 15.5 cm and 17 cm respectively The gloves were presumably made for the Emperor Friedrich II in the royal workshop in Sicily before 1220, the year of his coronation.<br /><br />Cuffs: 1130 or later Dalmatic sleeves, Kunsthistorische Museum, Vienna<br />Palermo, Royal workshop, between 1130 and 1154 Purple silk with trimmings in red silk, embroidered in gold, gold filigree, enamel, and pearls; H overall 141 cm</div></div>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com4tag:blogger.com,1999:blog-5629474050412632799.post-43870325275942698952007-10-16T11:26:00.000+02:002007-10-16T12:07:08.056+02:00SCA Glove makers<a href="http://ilaria.veltri.tripod.com/gloves.html">http://ilaria.veltri.tripod.com/gloves.html</a> - Elizabethan gloves, pictures<br /><a href="http://www.glove.org/">http://www.glove.org/</a> - The glove website by Franchesca Havas, book list<br /><a href="http://www.extremecostuming.com/gallery/accessories.html">http://www.extremecostuming.com/gallery/accessories.html</a> - Elizabethan gloves (test pair) / Attack Laurel<br /><a href="http://www.houseffg.org/belphoebe/Research/Gloves/index.htm">http://www.houseffg.org/belphoebe/Research/Gloves/index.htm</a> - 16th cent. Sir Francis Drake gloves<br /><a href="http://katerina.purplefiles.net/garb/diaries/glove3.htm">http://katerina.purplefiles.net/garb/diaries/glove3.htm</a> three fingered mittens byKaterina da Brescia<br /><a href="http://katerina.purplefiles.net/garb/diaries/glove%20Italian.htm">http://katerina.purplefiles.net/garb/diaries/glove%20Italian.htm</a> 15th cent. Italian gloves by Katerina da Brescia<br /><a href="http://www.vertetsable.com/demos_gloves.htm">http://www.vertetsable.com/demos_gloves.htm</a> - The Renaissance Tailor<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/cloth/gloves/gloves.htm">http://www.personal.utulsa.edu/~marc-carlson/cloth/gloves/gloves.htm</a> - Marc Carlson, three fingered mittensKatharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com0tag:blogger.com,1999:blog-5629474050412632799.post-86234281778353751352007-10-16T08:38:00.000+02:002008-12-11T13:51:20.264+01:00<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU1F5nG_onmnA6QY9RQ97B9h5Z2fXkIGE9HoFhicf99GhHFDTaOQZoo6S3gbh6tiQDC5-M9tp3ddKLfJenBB4INsos3klNosI9bY64OE5W82yDaJPlGB0mGdBlMNHarH4O73nHHxH5QrfY/s1600-h/V&A1.jpg"><img id="BLOGGER_PHOTO_ID_5121999157540615122" style="CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU1F5nG_onmnA6QY9RQ97B9h5Z2fXkIGE9HoFhicf99GhHFDTaOQZoo6S3gbh6tiQDC5-M9tp3ddKLfJenBB4INsos3klNosI9bY64OE5W82yDaJPlGB0mGdBlMNHarH4O73nHHxH5QrfY/s320/V&A1.jpg" border="0" /></a><br /><div>V&A Museum, London<br /><br />Pair of gloves<br />Date 1603-1625<br />Techniques: Leather and satin, embroidered with silk and metal thread, spangles and seed pearls<br />England<br />Dimensions: Height 9 cm (maximum, at lace cuffs), Width 26 cm (maximum), Length 41.5 cm (maximum)<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbUYQJgJRZ9bH42osCBfhB_kut5fVn_7DjKafGeq8_kaziepHm5t3unSB_IyImaXDjdOZNobV7f1EjDfrNZ1xe346ObtOheGSYYvAFBOOfUlbtFoCG7iP6FWM4p2E9Wz9aG2TvFZ2MJdnW/s1600-h/V&A2.jpg"><img id="BLOGGER_PHOTO_ID_5121821199865672514" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgbUYQJgJRZ9bH42osCBfhB_kut5fVn_7DjKafGeq8_kaziepHm5t3unSB_IyImaXDjdOZNobV7f1EjDfrNZ1xe346ObtOheGSYYvAFBOOfUlbtFoCG7iP6FWM4p2E9Wz9aG2TvFZ2MJdnW/s320/V&A2.jpg" border="0" /></a><br /><br /><br /><div><br /><br /><br /></div><div></div><div><br /></div><div></div><div><br /></div><div><br /></div><div><br /></div><div></div><div><br /></div><div></div><div><br /></div><div></div><div><br /></div><div></div><div><br /></div><div></div><div><br /></div><div></div><div><br /></div><div></div><div><br /></div><div></div></div><div></div><div></div><div><div>V&A Museum, London<br />Pair of gloves<br />Date 1590-1610<br />Techniques: White leather, with gauntlet tapestry woven in silk and gold; 33 warp threads per in (13 per cm)<br />Artist/designer: Sheldon Tapestry Workshops (probably)<br />Warwickshire, England (probably)<br />Dimensions: Length 35 cmWidth 20 cm </div></div>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com0tag:blogger.com,1999:blog-5629474050412632799.post-16014396467517147982007-10-16T08:29:00.000+02:002008-12-11T13:51:20.435+01:00Museum of Fine Arts, Boston<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1OyvtbbKRDQWdYIaqppuuY-gY4mELfBS0VtubYTXB1XW2jiqvE7dIE_4jXCBgpSHXAgWI2I_OWJLoYoYL-p-VK6iqCN8QCq6bkU_vufnzmV12v7SRL85Qb2JXM7OrH5nb40iI2mcy3PxW/s1600-h/GLoves+16th.jpg"><img id="BLOGGER_PHOTO_ID_5121819357324702498" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1OyvtbbKRDQWdYIaqppuuY-gY4mELfBS0VtubYTXB1XW2jiqvE7dIE_4jXCBgpSHXAgWI2I_OWJLoYoYL-p-VK6iqCN8QCq6bkU_vufnzmV12v7SRL85Qb2JXM7OrH5nb40iI2mcy3PxW/s320/GLoves+16th.jpg" border="0" /></a><br /><div> </div><div>Pair of glovesEnglish, 1575–1625<br />EnglandLeft: 0.24 m; right: 0.23 mLeather; embroidered with silk and metallic threads; metallic bobbin lace; woven silk and metallic ribbon<br />Classification: Costumes<br />Object is currently not on view<br />Brown leather glove with cuffs of silk, embroidered with metallic yarns on silk<br />Museum of Fine Arts, Boston<br />Gift of Philip Lehman in memory of his wife Carrie L. Lehman, 1938Accession number: 38.1348a-b<a title="+escape(" href="javascript:openZoomArt(escape(" file="89-4.jpg&width=600&height=420&captiontitle='+escape('Pair"></a> </div><br /><div></div>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com0tag:blogger.com,1999:blog-5629474050412632799.post-52979719047106402392007-10-15T17:43:00.001+02:002007-10-16T08:24:13.888+02:00Glovers/ Pictures/interest groups<a href="http://moas.atlantia.sca.org/wsnlinks/index.php?action=displaycat&catid=309">http://moas.atlantia.sca.org/wsnlinks/index.php?action=displaycat&catid=309</a><br />Atlantian medieval A&S links page concerning gloves and mittens.Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com0tag:blogger.com,1999:blog-5629474050412632799.post-79054454615685987622007-10-15T17:36:00.000+02:002007-10-16T19:55:40.832+02:00Gloves - Primary and Secondary sources (paintings)Taken from the fabulous website by Karen Larsdatter:<br /><a href="http://www.larsdatter.com/gloves.htm">http://www.larsdatter.com/gloves.htm</a>:<br /><br />MITTENS<br /><a href="http://home.armourarchive.org/members/flonzy/images/MuseumTrips/MoL06/Medieval/Full/PICT0188.jpg">A leather glove</a>, 15th century, found in London; additional views <a href="http://home.armourarchive.org/members/flonzy/images/MuseumTrips/MoL06/Medieval/Full/PICT0184.jpg">1</a>, <a href="http://home.armourarchive.org/members/flonzy/images/MuseumTrips/MoL06/Medieval/Full/PICT0190.jpg">2</a>, <a href="http://home.armourarchive.org/members/flonzy/images/MuseumTrips/MoL06/Medieval/Full/PICT0191.jpg">3</a>, <a href="http://home.armourarchive.org/members/flonzy/images/MuseumTrips/MoL06/Medieval/Full/PICT0193.jpg">4</a>, <a href="http://home.armourarchive.org/members/flonzy/images/MuseumTrips/MoL06/Medieval/Full/PICT0194.jpg">5</a>, and <a href="http://home.armourarchive.org/members/flonzy/images/MuseumTrips/MoL06/Medieval/Full/PICT0195.jpg">6</a>; also <a href="http://www.brickfields.org.uk/text/medieval-relics.html">here</a><br /><a href="http://www.maryrose.org/life/cloth1.htm">Two leather mittens (both for the left hand)</a> were found in a chest on the Mary Rose (1545); a line drawing of one of them can be found on page 14 of the <a href="http://www.maryrose.org/news/2005_annual_report.pdf">2005 Annual Report of the Mary Rose Museum</a><br /><a href="http://www.museumoflondon.org.uk/English/EventsExhibitions/Permanent/medieval/objects/record.htm?type=object&id=90608">An infant's knit mitten</a>, 16th century (also <a href="http://home.armourarchive.org/members/flonzy/images/MuseumTrips/MoL06/Medieval/Full/PICT0354.jpg">here</a>)<br /><a href="http://images.vam.ac.uk/images/photo/sch/20000315/high/mb19-004.jpg">Embroidered mittens</a>, c. 1600; use <a href="http://images.vam.ac.uk/">V&A's Access to Images</a> and search for Museum Number 1507&A-1882<br /><a href="http://www.glove.org/gallery/elizmit.php">Elizabethan gauntlet mittens</a>, c. 1600<br /><a href="http://www.mfah.org/blaffer/collection.asp?par1=2&par2=4&par3=155&par4=809&lgc=&...">Portrait of Henry Cary, 1st Viscount Falkland</a> by Marcus Gheeraerts the Younger, 1603 (also <a rhef="http://chevynova.org/hidden/Artist-Marcus_Gheeraerts_the_Younger;Painting-Henry_Cary,1st_Viscount_Falkland,1603,Oil_on_canvas,BF.1985.19.jpg">here</a>); it's more like a mitten-backing for a pair of fancy gloves.<br />THREE-FINGERED GLOVES (aka SPLIT MITTENS)<br /><a href="http://www.diu-minnezit.de/share/Handschriften/Luttrell%20Psalter/Lutrell-06.jpg">A field worker</a>, <a href="http://www.diu-minnezit.de/share/Handschriften/Luttrell%20Psalter/Lutrell-24.jpg">a harvester</a>, <a href="http://www.diu-minnezit.de/share/Handschriften/Luttrell%20Psalter/Lutrell-33.jpg">men plowing a field</a>, and <a href="http://www.diu-minnezit.de/share/Handschriften/Luttrell%20Psalter/Lutrell-34.jpg">a seed-sower</a> in the The Luttrell Psalter, c. 1320-1340<br /><a href="http://www.fitzmuseum.cam.ac.uk/_functions/imagewindowzoomify.php?/gallery/macclesfield/images/zoomify/MS_1-2005(f077r)">Ploughing scene</a>, the Macclesfield Psalter (Fitzwilliam 1-2005, fol. 77r), c. 1330<br /><a href="http://www.wga.hu/html/m/master/zunk_fl/15_paint/1/05offeri.html">The Offering of the Heart</a>, c. 1410<br /><a href="http://humanities.uchicago.edu/images/heures/august.jpg">August</a> in the <a href="http://humanities.uchicago.edu/images/heures/heures.html" target="_top">Les Tres Riches Heures du Duc de Berry</a>, 1412-1416<br /><a href="http://www.wga.hu/html/m/master/flemalle/nativity/nativi_2.html">Shepherds</a> in <a href="http://www.wga.hu/html/m/master/flemalle/nativity/">The Nativity by Robert Campin, 1425<br /><a href="http://www.wga.hu/html/e/engelbre/cecilia.html">St Cecilia and her Fiancé</a> by Cornelis Engebrechtsz, 1518-1520<br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1535/6chesema.html">Portrait of Robert Cheseman</a> by Hans Holbein the Younger, 1533<br />FIVE-FINGERED GLOVES: ECCLESIASTICAL/ROYAL CONTEXTS<br /><a href="http://www.kikirpa.be/www2/cgi-bin/wwwopac.exe?DATABASE=object&LANGUAGE=0&OPAC_URL=&%250=10052641">Gloves said to be those of St. Hadelin</a>, 11th-13th century<br /><a href="http://www.kostym.cz/Anglicky/2_Detaily/01_Doplnky/II_01_06.htm">Gloves of Roger II</a>, c. 1105<br /><a href="http://www.paradoxplace.com/Perspectives/Genl%20Images/Single%20Frames/Fontevrault_Plantagenets.htm">Effigy of Henry II</a>, c. 1189<br /><a href="http://medieval.webcon.net.au/extant_gloves_frederick_ii.html">Gloves of Emperor Frederick II</a> (also <a href="http://www.medievalbeads.com/docs/items/13th-gloves.html">here</a>, c. 1198<br /><a href="http://www.englishmonarchs.co.uk/plantagenet_2.htm">Effigy of Richard I</a>, c. 1199<br /><a href="http://www.nls.uk/murthlyhours/page.cfm?folio=25">The Three Kings before Herod</a>, The Murthly Hours (NLS 21000, fol. 12r), 1280s<br /><a href="http://www.insecula.com/oeuvre/O0007708.html">Glove-plaques</a> from the tomb of Jean de Chanlay, Bishop of Le Mans, 1291<br /><a href="http://www.photo.rmn.fr/LowRes2/TR1/KYG1Z6/00-005767.jpg">Silk liturgical glove</a>, first quarter of the 14th century<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateI.htm">Bishop Wykeham's Glove</a>, c. 1386<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100181&E=JPEG&Deb=9&Fin=9&Param=C">Romans and their pontiffs</a>, Ab urbe condita (BNF Fr. 271, fol. 66v), end of the 14th century<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100022&E=JPEG&Deb=81&Fin=81&Param=C">Assassination of Onias III</a>, Bible Historiale (BNF Fr. 3, fol. 251v), beginning of the 15th century<br />Thane rysez the riche kynge ... His gloues gayliche gilte and grauen by þe hemmys, With graynes of rubyes.<br />From <a href="http://www.hti.umich.edu/cgi/t/text/text-idx?c=cme;idno=AllitMA">Morte Arthure</a>, c. 1440<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100127&E=JPEG&Deb=48&Fin=48&Param=C">Coronation of Leo VIII</a>, De casibus (BNF Fr. 234, fol. 183), third quarter of the 15th century<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-07838659&E=JPEG&Deb=1&Fin=1&Param=C">Allegory: The cardinal virtues</a>, The Book of the Treasure (BNF Fr. 191, fol. 119), second half of the 15th century<br />Speculum Historiale, 1463: <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100039&E=JPEG&Deb=3&Fin=3&Param=C">Heretics and ecclesiastics</a> (BNF Fr. 50, fol. 2), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100039&E=JPEG&Deb=129&Fin=129&Param=C">Miracle of Our Lady: the large abbess</a> (BNF Fr. 50, fol. 246), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100039&E=JPEG&Deb=151&Fin=151&Param=C">the martyrdom of St. Savinian</a> (BNF Fr. 50, fol. 324v), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100039&E=JPEG&Deb=191&Fin=191&Param=C">St. Taurin in front of the idol</a> (BNF Fr. 50, fol. 364v), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100039&E=JPEG&Deb=213&Fin=213&Param=C">the martyrdom of St. Pothin</a> (BNF Fr. 50, fol. 387), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100046&E=JPEG&Deb=49&Fin=49&Param=C">St. Firmin I preaches</a> (BNF Fr. 51, fol. 69), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100046&E=JPEG&Deb=89&Fin=89&Param=C">St. Maximinus of Trier and St. Athanasius</a> (BNF Fr. 51, fol. 132), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100046&E=JPEG&Deb=106&Fin=106&Param=C">the dream of St. Gregory of Nazianze</a> (BNF Fr. 51, fol. 164), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100046&E=JPEG&Deb=156&Fin=156&Param=C">the miracle of St. Martin</a> (BNF Fr. 51, fol. 297), and <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100046&E=JPEG&Deb=173&Fin=173&Param=C">the translation of St. Martin</a> (BNF Fr. 51, fol. 393v)<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-08002593&E=JPEG&Deb=1&Fin=1&Param=C">Presentation scene</a>, The City of God (BNF Fr. 18, fol. A), c. 1469-1473<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-7806181&E=JPEG&Deb=1&Fin=1&Param=C">Roboam is dubbed by the emperor</a>, The Knight Cifar (BNF Esp. 36, fol. 165v), fourth quarter of the 15th century<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100140&E=JPEG&Deb=18&Fin=18&Param=C">The coronation of St. Julian</a>, The Golden Legend (BNF 244, fol. 66v), c. 1480-1490<br /><a href="http://www.kostym.cz/Anglicky/2_Detaily/01_Doplnky/II_01_42.htm">Gloves from the tomb of Bishop Nicolaus Shiner</a>, 1510<br /><a href="http://www.kikirpa.be/www2/cgi-bin/wwwopac.exe?DATABASE=foto&LANGUAGE=0&598196=on">Pope Sixtus IV</a> and <a href="http://www.kikirpa.be/www2/cgi-bin/wwwopac.exe?DATABASE=foto&LANGUAGE=0&598197=on">St. Ambroise and St. Augustine</a> in <a href="http://www.kikirpa.be/www2/cgi-bin/wwwopac.exe?DATABASE=object&LANGUAGE=0&OPAC_URL=&%250=40001755">The Triptych of the Immaculate Conception</a> by Jean Bellegambe, 1526<br /><a href="http://www.kostym.cz/Anglicky/2_Detaily/01_Doplnky/II_01_79.htm">Knit silk gloves</a>, possibly belonging to Archbishop William Warham<br />FIVE-FINGERED GLOVES: FALCONRY CONTEXTS<br />The Manesse Codex, 1300-1330: <a href="http://www.manesse.de/img/002.jpg">König Konrad der Junge</a>, <a href="http://www.manesse.de/img/029.jpg">Herr Wernher von Teufen</a>, <a href="http://www.manesse.de/img/032.jpg">Herr Ulrich von Gutenburg</a>, <a href="http://www.manesse.de/img/052.jpg">Herr Leuthold von Seven</a>, <a href="http://www.manesse.de/img/080.jpg">Herr Konrad von Altstetten</a>, <a href="http://www.manesse.de/img/125.jpg">Kunz von Rosenheim</a><br /><a href="http://www.wga.hu/html/s/simone/3assisi/martin_1/30knight.html">St. Martin is Knighted</a> (see <a href="http://www.wga.hu/html/s/simone/3assisi/martin_1/31knight.html">detail</a>) by Simone Martini, 1312-1317<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100027&E=JPEG&Deb=106&Fin=106&Param=C">Solomon teaches</a>, Bible Historiale (BNF Fr. 8, fol. 249v), c. 1320-1330<br /><a href="http://www.diu-minnezit.de/share/Handschriften/Luttrell%20Psalter/Lutrell-17.jpg">A falconer</a> in the The Luttrell Psalter, c. 1320-1340<br /><a href="http://www.bl.uk/catalogues/illuminatedmanuscripts/ILLUMIN.ASP?Size=mid&IllID=6399">A lady luring a falcon</a>, the Taymouth Hours (British Library, Yates Thompson 13, fol. 74), c. 1325-1335<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100151&E=JPEG&Deb=30&Fin=30&Param=C">Gauls and the Roman envoys</a>, Ancient history until Caesar (BNF Fr. 251, fol. 247v), second quarter of the 14th century<br /><a href="http://racer.kb.nl/pregvn/MIMI/MIMI_KA16/MIMI_KA16_085V_MIN.JPG">Ptolemy with a falcon</a>, Der Naturen Bloeme (KB KA 16, fol. 85v), c. 1350<br /><a href="http://www.nga.gov/cgi-bin/pimage?46026+0+2">The Marriage</a>, 1350s<br /><a href="http://www.metmuseum.org/collections/view1.asp?dep=17&full=1&item=41%2E100%2E160">Ivory mirror-back: A falconry party</a>, 1350-1375<br />From the works of Guillaume de Machaut (BNF Fr. 1584), c. 1372-1377: <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100286&E=JPEG&Deb=67&Fin=67&Param=C">Machaut and his alerion</a>, Dit de l'alérion (fol. 96v); <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100286&E=JPEG&Deb=110&Fin=110&Param=C">Machaut and the lover's servant</a>, Fontaine amoureuse (fol. 161v); <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100286&E=JPEG&Deb=136&Fin=136&Param=C">The allegory of the harp</a>, Dit de la harpe (fol. 175v)<br />This hand borwen ofte to trewaunde with these gentel folk. In here grete haukinge glooves thei kunne putte it and hide it.<br />From The Pilgrimage of the Life of Man, c. 1450<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-08100553&E=JPEG&Deb=144&Fin=144&Param=C">Hunting quail</a>, Tacuinum Sanitatis (BNF Nouvelle acquisition latine 1673, fol. 72v), c. 1390-1400<br />The book of Modus and Ratio (BNF Fr. 1297, fols. <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-08100356&E=JPEG&Deb=35&Fin=35&Param=C">54</a>, <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-08100356&E=JPEG&Deb=36&Fin=36&Param=C">56</a>, <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-08100356&E=JPEG&Deb=37&Fin=37&Param=C">58</a>, <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-08100356&E=JPEG&Deb=38&Fin=38&Param=C">60</a>, and <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-08100356&E=JPEG&Deb=40&Fin=40&Param=C">71v</a>), first quarter of the 15th century<br /><a href="http://racer.kb.nl/pregvn/MIMI/MIMI_76E4/MIMI_76E4_047R_MIN_B.JPG">Ptolemy with a falcon</a> in Jacob van Maerlant's Der Naturen Bloeme (KB 76 E 4, fol. 47r), 1450-1500<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8019550&E=JPEG&Deb=1&Fin=1&Param=C">Homage of Roboam to the emperor</a>, The Knight Cifar (BNF Esp. 36, fol. 164v), fourth quarter of the 15th century<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateIX.htm">Hawking glove of Henry VIII</a><br />FIVE-FINGERED GLOVES: MISCELLANEOUS OTHER CONTEXTS<br />The Maciejowski Bible, c. 1250: <a href="http://www.medievaltymes.com/courtyard/images/maciejowski/leaf25/otm25vb.gif">The elders meet Samuel</a>, <a href="http://www.medievaltymes.com/courtyard/images/maciejowski/leaf29/otm29va&b.gif">Saul gives Michal to David</a>, <a href="http://www.medievaltymes.com/courtyard/images/maciejowski/leaf36/otm36rc&d.gif">David is applauded in Judah</a>, <a href="http://www.medievaltymes.com/courtyard/images/maciejowski/leaf37/otm37vb.gif">Abner leaves, promising to build support in Israel</a>, <a href="http://www.medievaltymes.com/courtyard/images/maciejowski/leaf37/otm37vc.gif">Joab slays Abner</a>, <a href="http://www.medievaltymes.com/courtyard/images/maciejowski/leaf17/otm17va&b.gif">Boaz encounters Ruth</a>, <a href="http://www.medievaltymes.com/courtyard/images/maciejowski/leaf42/otm42vb.gif">David and Bathsheba get married</a>, <a href="http://www.medievaltymes.com/courtyard/images/maciejowski/leaf44/otm44vc&d.gif">Absalom leaves David to plot a conspiracy</a><br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100223&E=JPEG&Deb=117&Fin=117&Param=C">Ahasuerus and his court</a>, Bible Historiale (BNF Fr. 160, fol. 211), first quarter of the 14th century<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-07804250&E=JPEG&Deb=1&Fin=1&Param=C">Allegory of Carnality</a>, The Romance of Fauvel (BNF Fr. 146, fol. 12), 1320<br /><a href="http://www.diu-minnezit.de/share/Handschriften/Luttrell%20Psalter/Lutrell-34.jpg">A seed-sower</a> in the The Luttrell Psalter, c. 1320-1340<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100139&E=JPEG&Deb=60&Fin=60&Param=C">St. Leonard in front of Clovis I</a>, The Lives of the Saints (BNF Fr. 185, fol. 126), second quarter of the 14th century<br />Bible Historiale (BNF Fr. 162), third quarter of the 14th century: <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100215&E=JPEG&Deb=27&Fin=27&Param=C">Moses comes down from Sinai</a> (fol. 65), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100215&E=JPEG&Deb=30&Fin=30&Param=C">Moses receives the Law</a> (fol. 91v), <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100215&E=JPEG&Deb=32&Fin=32&Param=C">Moses and the Hebrews</a> (fol. 112v), <a href="http://gallica.bnf.fr/image?L=08100216&I=000017">Hosea writing</a> (fol. 123v), and <a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100216&E=JPEG&Deb=35&Fin=35&Param=C">St. Paul preaches</a> (fol. 225)<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-08101695&E=JPEG&Deb=58&Fin=58&Param=C">Guillaume de Digulleville and Idleness</a>, The pilgrimage of human life (BNF Fr. 376, fol. 43), second quarter of the 15th century<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-8100003&E=JPEG&Deb=43&Fin=43&Param=C">Negotiations in front of Marchot</a>, Tristan de Léonois (BNF Fr. 112(3), fol. 66), c. 1470<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateII.htm">Gloves</a> which belonged to Henry VI<br /><a href="http://www.wga.hu/html/p/pollaiol/piero/g_sforza.html">Portrait of Galeazzo Maria Sforza, Duke of Milan</a> by Piero del Pollaiuolo, 1471<br /><a href="http://www.wga.hu/html/d/durer/1/02/05self26.html">Self-portrait at 26</a> by Albrecht Dürer, 1498<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/Henry8.htm">Gloves</a> reputed to have belonged to Henry VIII<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateVIII.htm">Gloves</a> given by Henry VIII to Sir Anthony Denny<br /><a href="http://www.festiveattyre.com/research/secondflor/secflor33.html">Portrait of a lady</a> by Paolo Cavazzola, c. 1515<br /><a href="http://www.wga.hu/html/m/moretto/cesaresc.html">Portrait of Count Sciarra Martinengo Cesaresco</a> by Moretto da Brescia, 1516-1518<br /><a href="http://www.wga.hu/html/m/moretto/man_port.html">Portrait of a man</a> by Moretto da Brescia, c. 1520<br /><a href="http://www.festiveattyre.com/research/secondflor/secflor29.html">Portrait of a young lady</a> by Bartolomeo Veneto, 1520-1530<br /><a href="http://ark.bnf.fr/ConsulterElementNum?O=IFN-08011870&E=JPEG&Deb=1&Fin=1&Param=C">Balsam harvest</a>, The Book of Simple Medicines (BNF Fr. 12322, fol. 187v), c. 1520-1530<br /><a href="http://www.wga.hu/html/t/tiziano/1portrai/gloves.html">Portrait of a man with gloves</a> by Titian, 1523-1524 (also <a href="http://www.insecula.com/oeuvre/O0017245.html">here</a>)<br /><a href="http://racer.kb.nl/pregvn/MIMI/MIMI_MMW_10F33/MIMI_MMW_10F33_060R_MIN.JPG">Flight to Egypt</a> in the Book of Hours of Françoise Brinnon (MMW 10 F 33, fol. 60r), 1524<br /><a href="http://www.wga.hu/html/c/clouet/jean/francois.html">Portrait of François I, King of France</a> by Jean Clouet, 1525-1530<br /><a href="http://www.photo.rmn.fr/LowRes2/TR1/9YL8NH/03-008417.jpg">Portrait of Anton Fugger</a> by Hans Maler<br /><a href="http://www.wga.hu/art/m/moretto/portr_m.jpg">Portrait of a man</a> by Moretto da Brescia, 1526<br /><a href="http://www.festiveattyre.com/research/secondflor/secflor28.html">Portrait of a lady in a green dress</a> by Bartolomeo Veneto, 1530<br /><a href="http://www.nga.gov/cgi-bin/pinfo?Object=1165+0+none">Portrait of Lucrezia Sommaria</a> (see <a href="http://www.nga.gov/cgi-bin/pimage?1165+0+3">detail</a>) by Ridolfo Ghirlandaio, 1530-1532 (also <a href="http://www.festiveattyre.com/research/secondflor/secflor3.html">here</a>)<br /><a href="http://www.festiveattyre.com/research/secondflor/secflor20.html">Portrait of a Roman courtesan</a> by Parmigianino, 1530-1535<br /><a href="http://www.kikirpa.be/www2/cgi-bin/wwwopac.exe?DATABASE=foto&LANGUAGE=0&513820=on">Fol. 7v</a> in the <a href="http://www.kikirpa.be/www2/cgi-bin/wwwopac.exe?DATABASE=object&LANGUAGE=0&OPAC_URL=&%250=20027226">Hennessy Book of Hours</a>, c. 1530-1540<br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1535/1wedigh.html">Portrait of a member of the Wedigh family</a> by Hans Holbein the Younger, 1532<br /><a href="http://commons.wikimedia.org/wiki/Image:Karl_V._(HRR).jpg">Portrait of Charles V</a> by Christoph Amberger, c. 1532<br />By the Lady Mary Gray, 2 peir of swete gloves, with fower dosen buttons of golde, in every one a sede perle.By the Lady Mary Sydney, one peir of perfumed gloves, with twenty-four small buttons of golde, in every of them a small diamond.By Lichefelde, two peir of gloves perfumed.<br />From the <a href="http://www.larsdatter.com/gifts/1577-8.htm">New Year's Gifts to Queen Elizabeth, 1577-8</a><br />By the Lady Waulsingham, 4 paire of gloves set with buttons of golde.By Mr. William Russell, a paire of gloves, garnished with gold and sede perle.<br />From the <a href="http://www.larsdatter.com/gifts/1578-9.htm">New Year's Gifts to Queen Elizabeth, 1578-9</a><br />By the Lady Walsingham ... a peire of perfumed gloves, the coaffe ymbrodered with seed pearle, and lyned with carnation velvett.By Mr. Doctor Lopus, a peire of perfumed gloves.<br />From the <a href="http://www.larsdatter.com/gifts/1588-9.htm">New Year's Gifts to Queen Elizabeth, 1588-9</a><br />By Mr. Josephe Lupo, one paire of pfumed gloves.By Mr. Thomas Lupo, Josephe his sonne, one paire of pfumed gloves.By Mr. William Warren, one paire of perfumed gloves.By Mr. Peeter Guye, one paire of pfumed gloves.By Mr. Jerolimo Bassano, one paire of perfumed gloves.By Mr. Anthune Bassano, one paire of pfumed gloves.By Mr. Edwarde Bassano, One paire of pfumed gloves.By Mr. Andrewe Bassano, one paire of pfumed gloves.By Mr. Cæsar Gallyardo, one paire of pfumed gloves.By Mr. Trochins, one paire of perfumed gloves.By Mr. Innocent Comye, one paire of perfumed gloves.By Mr. Richard Graves, one paire of perfumed gloves.By Mr. Walter Pearce, one pair of pfumed gloves.By Mr. Robert Hales, one paire of pfumed gloves.By Mr. Thomas Lupo, Peter Lupo his sonne, one paire of pfumed gloves.<br />From the <a href="http://www.larsdatter.com/gifts/1599-1600.htm">New Year's Gifts to Queen Elizabeth, 1599-1600</a><br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1535/4wedigh.html">Portrait of a member of the Wedigh family</a> by Hans Holbein the Younger, 1533 (also <a href="http://www.photo.rmn.fr/LowRes2/TR1/JXBL2K/04-500155.jpg">here</a>)<br /><a href="http://www.festiveattyre.com/research/secondflor/secflor32.html">Portrait of a lady</a> by Bernardo Licinio, 1533<br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1535a/index.html">Portrait of Jean de Dinteville and Georges de Selve (The Ambassadors)</a> by Hans Holbein the Younger, 1533<br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1535/9morette.html">Portrait of Charles de Solier, Lord of Morette</a> by Hans Holbein the Younger, 1534-1535<br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1543/03denmar.html">Portrait of Christina of Denmark, Duchess of Milan</a> (see <a href="http://www.wga.hu/html/h/holbein/hans_y/1543/04denmar.html">detail</a> by Hans Holbein the Younger, 1538<br /><a href="http://www.nga.gov/cgi-bin/pinfo?Object=1146+0+none">Portrait of a young woman and her little boy</a> (see <a href="http://www.nga.gov/cgi-bin/pimage?1146+0+6">detail</a>) by Agnolo Bronzino, 1540 (also <a href="http://www.festiveattyre.com/research/secondflor/secflor10.html">here</a>)<br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1543/07portra.html">Portrait of a man holding gloves and a letter</a> by Hans Holbein the Younger, c. 1540<br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1543/08steenw.html">Portrait of De Vos van Steenwijk</a> by Hans Holbein the Younger, 1541<br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1543/09youngm.html">Portrait of an unknown young man at his desk</a> by Hans Holbein the Younger, 1541<br /><a href="http://www.wga.hu/html/h/holbein/hans_y/1543/12chambe.html">Portrait of John Chambers</a> by Hans Holbein the Younger, 1543<br /><a href="http://www.wga.hu/html/l/lotto/1531-/06gloves.html">Portrait of a gentleman with gloves</a> by Lorenzo Lotto, c. 1543<br /><a href="http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=623">Portrait of Barbara Kressin</a> attributed to Lambert Sustris, 1544<br /><a href="http://www.festiveattyre.com/research/secondflor/secflor14.html">Portrait of a Florentine noblewoman</a>, 1540's<br /><a href="http://www.insecula.com/oeuvre/O0018293.html">Portrait of a woman holding gloves</a>, c. 1540-1560<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateX.htm">White gloves</a> attributed to the reign of Elizabeth I<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateXIV.htm">Gloves</a> presented to Elizabeth I<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateXV.htm">An Elizabethan glove</a><br /><a href="http://www.wga.hu/html/m/mor/3marytud.html">Portrait of Mary Tudor</a> by Anthonis Mor van Dashorst, 1554<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateXVI.htm">Lord Darnley's cuff</a>, c. 1555<br /><a href="http://www.npg.org.uk/live/search/person.asp?LinkID=mp05217">Portrait of Mary Nevill, Lady Dacre, and her son Gregory Fienes, 10th Baron Dacre</a> by Hans Eworth, 1559<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateXVII.htm">Glove of Mary Queen of Scots</a>, 1560<br /><a href="http://www.tudor-portraits.com/UnknownLady35.jpg">Portrait of an unknown lady</a>, c. 1560<br /><a href="http://www.photo.rmn.fr/LowRes2/TR1/BAOZ4U/03-001730.jpg">Portrait of a gentleman</a>, c. 1560<br /><a href="http://www.tudor-portraits.com/AlexanderFarnese.jpg">Portrait of Alexander Farnese</a>, c. 1560<br /><a href="http://www.tudor-portraits.com/Elizabeth114.jpg">Portrait of Elizabeth I</a>, c. 1560-1565<br /><a href="http://www.photo.rmn.fr/LowRes2/TR1/HWBL2K/93-001898-01.jpg">Portrait of Charles IX, King of France</a> from the workshop of François Clouet, 1561<br /><a href="http://www.tudor-portraits.com/ElizabethRoydon.jpg">Portrait of Elizabeth Roydon, Lady Golding</a> by Hans Eworth, 1563 (also <a href="http://www.tate.org.uk/servlet/ViewWork?cgroupid=999999961&workid=4207&searchid=7752">here</a>)<br /><a href="http://www.tudor-portraits.com/ThomasHoward1.jpg">Portrait of Sir Thomas Howard, 4th Duke of Norfolk</a> by Hans Eworth, 1563<br /><a href="http://www.personal.utulsa.edu/~marc-carlson/histshoe/redfern/GLOVES/plateXVIII.htm">Shakespeare's gloves</a><br /><a href="http://www.tate.org.uk/servlet/ViewWork?workid=5554&roomid=2147">Portrait of Elizabeth Cornwallis, Lady Kytson</a> by George Gower, 1573 (also <a href="http://www.tudor-portraits.com/LadyKytson.jpg">here</a>)<br /><a href="http://www.tudor-portraits.com/Elizabeth24.jpg">Woodcut of Queen Elizabeth</a> and <a href="http://www.tudor-portraits.com/Falconer.jpg">woodcut of a falconer</a> from the Booke of Faulconcrie</a> by G. Tuberville, 1575<br /><a href="http://www.wga.hu/html/v/vos/marten/anselmus.html">Portrait of Antonius Anselmus, his wife and their children</a> by Marten de Vos, 1577<br /><a href="http://collectionsonline.lacma.org/MWEBimages/C_T08_MM/full/M87_164_2.jpg">Nobilis Neapolitana</a> in Jost Amman's Trachtenbuch von Nurnberg, 1577<br /><a href="http://www.wga.hu/html/k/key/adriaan/port_man.html">Portrait of a man</a> by Adriaan Key, c. 1580<br /><a href="http://www.tudor-portraits.com/Elizabeth27.jpg">Portrait of Queen Elizabeth: The Welbeck or Wanstead Portrait</a> by Marcus Gheeraerts the Elder, c. 1585<br /><a href="http://www.tudor-portraits.com/Elizabeth100.jpg">Portrait of Elizabeth I</a>, c. 1585-1588<br /><a href="http://inky.library.yale.edu/medwomen/04169799.html">Ein Pfalzische Edelfrauw</a>, Im Frauwenzimmer Wirt vermeldt von allerly schönen Kleidungen, 1586<br /><a href="http://images.vam.ac.uk/images/photo/sch/20010111/high/0162-012.jpg">Pair of gloves</a>, 1590-1610; use <a href="http://images.vam.ac.uk/">V&A's Access to Images</a> and search for Museum Number T.145&A-1931<br /><a href="http://www.tudor-portraits.com/FrancisDrake2.jpg">Portrait of Sir Francis Drake</a> by Marcus Gheeraerts the Younger, 1591<br /><a href="http://www.wga.hu/html/h/hilliard/clifford.html">Portrait of George Clifford, Earl of Cumberland</a> by Nicholas Hilliard, c. 1590; notice the Queen's glove in his hat<br />Gloves in the Album Amicorum of a German Soldier, 1595: <a href="http://collectionsonline.lacma.org/MWEBimages/C_t02_mm/full/M91_71_78.jpg">Cortegiana Romana</a>, <a href="http://collectionsonline.lacma.org/MWEBimages/C_t02_mm/full/M91_71_71.jpg">Governator di Roma</a>, <a href="http://collectionsonline.lacma.org/MWEBimages/C_t02_mm/full/M91_71_72.jpg">Castelan di Roma</a>, <a href="http://collectionsonline.lacma.org/MWEBimages/C_T02_mm/full/M91_71p4.jpg">Another lady</a>, <a href="http://collectionsonline.lacma.org/MWEBimages/C_t02_mm/full/M91_71_5.jpg">Another lady</a>, <a href="http://collectionsonline.lacma.org/MWEBimages/C_t02_mm/full/M91_71_85.jpg">Vedoua Senese</a>, <a href="http://collectionsonline.lacma.org/MWEBimages/C_t02_mm/full/M91_71_90.jpg">Duchessa di Venetia</a>, <a href="http://collectionsonline.lacma.org/MWEBimages/C_t02_mm/full/M91_71_2.jpg">Another lady</a>, and <a href="http://collectionsonline.lacma.org/MWEBimages/C_t02_mm/full/M91_71_3.jpg">Another lady</a><br /><a href="http://www.tudor-portraits.com/UnknownLady10.jpg">Portrait of an unknown lady</a> attributed to William Segar, c. 1595<br /><a href="http://www.tudor-portraits.com/HenryPercy.jpg">Miniature portrait of Sir Henry Percy, 9th Earl of Northumberland</a> by Nicholas Hilliard, c. 1595<br /><a href="http://www.bildindex.de/bilder/MI02343f09a.jpg">A glove from Venice</a>, c. 1600<br /><a href="http://www.tudor-portraits.com/Various_8.htm">Portrait of Henry Wriothesley, 3rd Earl of Southampton</a> by John de Critz, 1603<br /><a href="http://www.tudor-portraits.com/UnknownLady43.jpg">Portrait of an unknown lady</a>, c. 1603<br /><a href="http://www.stadtarchaeologie-lueneburg.de/mag/tx-handsch.htm">A pair of lady's knit gloves</a>, first half of the 17th century<br /><a href="http://www.rijksmuseum.nl/aria/aria_assets/BK-1978-48-A">Wedding gloves</a> with symbols of love and marriage, c. 1622<br /><a href="http://collectionsonline.lacma.org/MWEBimages/c_t_mm/full/49_45_1a-b.jpg">Pair of man's gauntlets</a>, England, c. 1625-1650Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com0tag:blogger.com,1999:blog-5629474050412632799.post-1058612680366479302007-10-15T17:33:00.000+02:002007-10-16T08:26:01.922+02:00Elizabethan gloves - infos<a href="http://www.employees.org/~cathy/gloves_body.html">http://www.employees.org/~cathy/gloves_body.html</a><br /><br />informations on Elizabethan glovesKatharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com0tag:blogger.com,1999:blog-5629474050412632799.post-40745927252051682802007-10-15T16:30:00.000+02:002008-12-11T13:51:20.947+01:00various royal gloves<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx_i84s3mH1h3CTn1HkufE5DVUyhVDtXzzYYbQ2vkhLPWgNIunVGmAg2zor6mwRNkbH6fKIdtCN3ynOf9hlMk0EcobMoYOIamFY_8sRufeabHGyKSI6NKLZZYXKgrLnXRMenC4WE63qUVJ/s1600-h/Portfolio_Handschuhe.jpg"><img id="BLOGGER_PHOTO_ID_5121826285106951026" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx_i84s3mH1h3CTn1HkufE5DVUyhVDtXzzYYbQ2vkhLPWgNIunVGmAg2zor6mwRNkbH6fKIdtCN3ynOf9hlMk0EcobMoYOIamFY_8sRufeabHGyKSI6NKLZZYXKgrLnXRMenC4WE63qUVJ/s320/Portfolio_Handschuhe.jpg" border="0" /></a> Various gloves I've made for the Royals of our SCA Kingdom. <div><br /><br /></div><div>First row:</div><div>Margerite's elegant Unicorn gloves (14th century, inspiration from "Minnesang's Frühling" (shape of gloves), illumination (unicorns)</div><div>Maximilian's manly furry gloves (14th century) - finished Summer 2007</div><div>Second row:</div><div>Green glove after the famous Coronation glove for Emperor Friederich II for Queen Moira, red glove for King Michael (13th century)- finished Summer 2006</div><div>Next picture:</div><div>Gloves of the emperor Friederich II, Original in the Vienna Museum, primary source for the Royal gloves of Michael and Moira<br /><br /></div><div></div><div><br /><br /></div><div></div><div><br /><br /></div><div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzsQhhkMU4-LHCSRkhEZTyV5rfpI4cbcxkC5D-dLzWVecwZ1JoOjO1Qu4dJaL0UABo7xcIi_S3TusvcmlaucSKkiCgTrXRzc1uU7ezQyRIgHW2-yiXRLXI1a0YbIJMsXQr0yOE3PqgwN_3/s1600-h/1200_emperor+Friederich.jpg"><img id="BLOGGER_PHOTO_ID_5121825726761202530" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzsQhhkMU4-LHCSRkhEZTyV5rfpI4cbcxkC5D-dLzWVecwZ1JoOjO1Qu4dJaL0UABo7xcIi_S3TusvcmlaucSKkiCgTrXRzc1uU7ezQyRIgHW2-yiXRLXI1a0YbIJMsXQr0yOE3PqgwN_3/s320/1200_emperor+Friederich.jpg" border="0" /></a></div>Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com0tag:blogger.com,1999:blog-5629474050412632799.post-26661556682118975492007-10-15T16:11:00.000+02:002007-10-15T16:12:53.388+02:00Welcome to Medieval GlovesThis is going to be an online portfolio, a website adress collection, photo collection, project diary.... About Medieval gloves and other interesting Medival stuff (mainly textiles and clothing)Katharinahttp://www.blogger.com/profile/01373126771919596591noreply@blogger.com0